Print Gallery
The Chas Addams Print gallery contains a selection of drawings and paintings by Charles Addams created throughout the artist’s career.
Works in the Gallery are available as museum quality, archival pigment prints and may be purchased in a choice of two sizes unless otherwise noted.
Large prints, in dimensions closely replicating those of the original works, come embossed with the stamp of the Foundation and the printer, Ghost Editions. A certificate of origin and authentication accompanies each print.
Small prints come in their own mats and are accompanied by source documents about the original art. These open edition prints are authorized and produced exclusively by the Tee and Charles Addams Foundation.
Click on thumbnails to view the entire work and to obtain ordering information.
Copyright Notice: All works in the Gallery are copyrighted by the Tee and Charles Addams Foundation. Images cannot be used in any way except by written permission of the Foundation.
“Family Portrait” is the preliminary work for the cover of Charles Addams’s 1954 compilation book entitled Homebodies. This full-color painting is printed on Entrada Fine Art Natural Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Pet Door” was first published in the September 5, 1988 issue of The New Yorker magazine. This captionless painting “en grisaille”is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Leaving Home” was first published in 1986 as a poster advertising an exhibiton of artists from The New Yorker magazine. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Sculpture Class” was first published in the January 20, 1957 issue of The New Yorker magazine. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Miss Weems” was first published in the January 28, 1956 issue of The New Yorker magazine. The caption at the bottom of the work is in Charles Addams’s own hand and reads, "We won't be late, Miss Weems. Get the children to bed around eight, and keep your back to the wall at all times." This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Phantom Shadow” was first published in the October 5, 1946 issue of The New Yorker magazine. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Garden Transfusion” was first published in Charles Addams’s 1964 compilaton book entitled The Groaning Board. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“The Little Dears” was first published in the December 27, 1952 issue of The New Yorker magazine. The caption at the bottom of the work is in Charles Addams’s own hand and reads, "The little dears, they still believe in Santa Claus." This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Boats to NYC” was first published as an article illustration on the cover of the Weekend Section of the October 26, 1984 issue of The New York Times. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
"Unhappy Darling" was first published in the November 14, 1942 issue of The New Yorker magazine. The caption printed below the image reads, "Are you unhappy, darling?" "Oh, yes, yes! Completely." This "en grisaille" painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
"Back from Camp" was first published in the August 30, 1947 issue of The New Yorker magazine. The caption at the bottom of the work is in Charles Addams's own hand and reads, "It's the children, darling, back from camp." This "en grisaille" painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
"Banquet"was first published on October 9, 1964 as the wrap-around cover of Charles Addams's seventh anthology, The Groaning Board. This captionless painting "en grisaille" is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: Paper size: 14 x 22.25 inches Print size: 8.5 x 18 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Self-carve Pumpkin” was first published as the October 30, 1989 cover of The New Yorker magazine. This full-color work is printed on Entrada Fine Art Natural Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Hi-Rise Goat” was first published in the October 22, 1984 issue of The New Yorker magazine. This blalck and white work is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Famous Subjects” was first published in the August 20, 1979 issue of The New Yorker magazine. The caption at the bottom of the work is in Charles Addams’s own hand and reads, "I think you know everybody." This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Falling Rock Zone” was first published in the June 5, 1978 issue of The New Yorker magazine. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Unicorns” was first published in the March 10, 1956 issue of The New Yorker magazine. One of Charles Addams’s more poignant works, this “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Greenhouse” was first published as the March 3, 1986 cover of The New Yorker magazine. This full-color work is printed on Entrada Fine Art Natural Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Please Hold Rail” was first published in the February 11, 1980 issue of The New Yorker magazine. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.
“Boiling Oil” was first published in the December 21, 1946 issue of The New Yorker magazine and is considered Charles Addams’ signature work. This “en grisaille” painting is printed on Arches Watercolor Paper with Epson Ultrachrome Ink. Unframed.
Large format: 22 x 17 inches
Small format: 14 x 11 inches
Prices include shipping and handling with the exception of VAT fees or any other customs charges imposed by countries outside the United States.
Please allow up to 2 weeks for international deliveries.